🎰 An Interview with Jorge Luna Roque, Director of the All Stars from Santiago de Cuba – Son y Casino

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I am simply a person who likes what I do and who has respect for tradition. Rubbing my eyes and yawning, I ask myself where in the world these people from Santiago de Cuba get their energy. When people come to the group with a different style, it takes years to mold them to the standards of the group. The All Stars have already had a performance on Saturday, and they have just finished rehearsing for the one tonight. It was my hobby. But I know that a dance instructor should know about all dances. It happened like this: I used to go to a school and sit down to watch the rueda de casino there. I always say, to those who enter the group, that in order to become an All Star they will have to spend, at the very least, four years with the group. The way I see it, maybe the people are dancing it more now so that the foreigner can see it, not so much so that the Cubans can see it. Later, we brought it to a competition. It was a very hard competition, but it was an experience. Cannot imagine the amount of hard work and practice the dancers put to come up with Rueda de Casino performance. A couple of minutes later, and after I have effusively thanked him for allowing me this interview and taking time out of this busy schedule to talk to me, we sit down to talk about the All Stars, casino, and Cuba. But the audience wants to see the dance of casino, too. We took up the entire scenario. And this stayed with me. At a dance competition in Santiago de Cuba, we took the circle and disintegrated it—and we were disqualified. The one thing we have. How did the idea come about? Because what I know is that salsa is son. How do you come up with choreographies? It will probably come out in How do people learn to dance casino in Cuba? How much time do you put into rehearsing? He knows why I am here. All the music that the All Stars use, I edit it. Cubans are born dancing. We once broke from tradition. I learned to dance casino at twenty. I come up with ideas for choreographies during the early morning. And then there are people who say that casino is danced a certain way, and that is not correct. It is at this point where culture starts taking a secondary role and our values begin to be lost.

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It is then that All stars santiago de cuba casino rueda turns around and sees me. The kids were apprehensive because the jury was composed of dance masters like Eduardo Rivero. These kids I was working with were kids a bit outside the norm; these were kids who had talent and were good students.

Before, the casino rueda was done in a very traditional way. Like the musicians who count only to four.

Any Cuban in Europe can declare himself a dance instructor because foreigners think that all Cubans know how to dance casino. We have the privilege of being the only rueda, during the the three years that it aired, that was awarded the maximum amount of points that can be awarded, out of the more the ruedas which debuted on the show.

The objectives were never fixed because they were always changing, once the previous objective was completed. But I always felt things were missing. This was almost daily at the beginning.

And the jury at that moment got on their feet. I am really glad that I got the chance to attend The Atlanta Salsa Festival this year since it gave the opportunity to meet people such great people from the casino community like The All Stars, Chino Casino, DC Casineros and last not but not the least you.

So, four years it is. Because, first, you have to choose the music, see if the turn patterns go with the music.

I always say that no one is better than anyone. There are very few schools in Cuba which teach dance classes to Cubans. But so it was.

Good, bad, or mediocre, this is what is ours. We brought the house down. Thank you so much for putting up the interview with Jorge Luna. They would leave their houses at 7 a. So I focused on that. I remember seeing you sitting along with him and recording this interview on a video cam.

You are commenting using your WordPress. So I put it all behind. After last night, we are all tired. It occurred to me…so I did it. In other words, they dance it like they feel. After the number, the jury went on to deliberate and called me here the side.

Later, Santiago de Cuba hosted a big rueda de casino event, and the kids called me so that we would continue with the project that we had started at the vocational school.

Then, a friend of mine called Rodolfo, who attended that school, taught me a little bit of the basics. It is them which have given me that philosophy. You are commenting using your Twitter account. Of course they did. JLR: Look, we have a very different way of doing a rueda. I tell me kids not to tell other people that they are dance instructors, but rather to say all stars santiago de cuba casino rueda they are dancers of the All Stars.

I have to defend what is mine. Sometimes people want us to dance like the others. We have a turn pattern which is called El horizonte The horizonwere we break off the circle and make a line. We normally put together a casino rueda in two to three weeks. You are commenting using your Google account.

I liked dancing on my own a lot. This happened at the Sala Polivalente in Havana. I liked to DJ.

After I left the all stars santiago de cuba casino rueda, the kids with whom I had worked also left for their respective universities. Another pivotal moment was when I scheduled practice one day for 4 p.

It was hard. I am not a professional. And this was my pride and joy: I was directing professionals. You are commenting using https://list.rotshild.ru/casino/casino-shift-manager-jobs.html Facebook account.

If I do, then I am not an All Star. The dance of casino belongs to the people. JLR: Rehearsals are always done from 6 p. I am not against this because, well, to each his own. And this is why the group as its own seal or signature. Cubans learn empirically. And both in Cuba and Europe everybody is a dance instructor. I look for social dancers. If we are going to do this, we have to respect it. I want people to see casino. It was then that I began to create choreographies, for I did have the imagination for it. It becomes a rueda of Afro-Cuban dances. By the fourth year of their careers, they leave the group because the career becomes too demanding. This school is a school where highly intelligent students are chosen. I cannot do that. I remember talking to the dancers of the All Star team and they all are very down to earth to people and it was really a treat to watch their performance live but also share the dance stage with them.